Audrey Hepburn, a prominent figure in the world of cinema, epitomized the evolution of 1960s fashion, transitioning seamlessly from the sophisticated elegance of the early decade to the free-spirited hippie aesthetic that emerged later. Her influence on 1960s fashion is undeniable, stemming from her iconic roles in films like Roman Holiday, Sabrina, and Funny Face in the 1950s, and continuing into the following decade.
In 1961, Hepburn solidified her fashion icon status with the film Breakfast at Tiffany’s. Her portrayal of Holly Golightly, dressed in Hubert de Givenchy’s designs, including the unforgettable little black dress, became a defining moment in 1960s fashion history. The collaboration between Hepburn and Givenchy extended beyond the screen, resulting in a signature style that was both elegant and accessible, inspiring women of all backgrounds.
Early 1960s fashion often reflected the refined aesthetic of First Lady Jackie Kennedy, and Hepburn effortlessly embraced this trend. She frequently wore tailored skirt suits, complemented by classic accessories like gloves and hats, mirroring the First Lady’s polished look. This is evident in the green Givenchy suit she wore in the 1962 film Paris When It Sizzles. The ensembles she donned in the 1963 film Charade, characterized by clean lines and sophisticated silhouettes, resonated with Kennedy’s style while also embodying Parisian chic.
As the 1960s progressed, Hepburn’s style evolved alongside the changing fashion landscape. She embraced the Mod movement, incorporating vibrant colors and minidresses into her wardrobe. In the 1966 film How to Steal a Million, she showcased key elements of mid-60s fashion: white-rimmed sunglasses reminiscent of the Space Age, a chic bob hairstyle, and dramatic eyeliner that accentuated her expressive eyes.
By the late 1960s, Eastern influences and longer hemlines began to dominate fashion. While Hepburn continued to be admired for her timeless elegance, she hadn’t fully embraced these newer trends. Her 1969 wedding to Andrea Dotti, where she wore a pink minidress, exemplified her enduring connection to the classic styles of the earlier decade. This choice reflected a segment of society, including designers like Givenchy, who were not yet ready to abandon the iconic looks of the mid-60s.
