Buster Keaton, known for his stoic expression and physical comedy in silent films, wasn’t fond of interviews. A rare glimpse into his life and perhaps even his “Bk Fashion” can be found in an interview from August 1927, conducted shortly after the release of his film College. This period represents a pivotal moment in Keaton’s career, just before the transition to MGM that would significantly impact his artistic control.
A Reluctant Interviewee
Keaton’s discomfort with interviews was well-documented. Reporters often noted his apparent desire to be anywhere but in the interview setting. This particular exchange began with Keaton attempting to escape before a single question was asked.
The interview took place during a time of both personal and professional turmoil. Keaton was under increasing pressure from his studio, and his marriage was nearing its end. Amidst this, he was working on Steamboat Bill Jr., his final independently produced film, much of which was filmed on the Sacramento River. This context may have contributed to his unease.
Keaton’s Mannerisms and Possible “BK Fashion” Clues
The reporter’s description of Keaton provides subtle clues to his personal style, potentially offering insights into “bk fashion.” He noted Keaton folding his arms “a la Napoleon at Marengo,” a posture suggesting deep thought and perhaps reflecting the challenges Keaton faced at the time.
The article also mentions Keaton’s “gray eyes wide open and expressionless,” a detail consistent with other accounts, though his eyes were actually hazel. While not explicitly about “bk fashion” in terms of clothing, these observations hint at Keaton’s overall demeanor and perhaps a preference for practical, understated attire suitable for his physically demanding work. He was, after all, a man of action.
Authenticity of the Interview
While the interview contains a factual error regarding Keaton’s birthdate (October 4th, not October 2nd), other details align with known facts. The reporter’s portrayal of Keaton’s mannerisms and speech patterns, along with the mention of his interaction with associate Harry Brand, lends credibility to the account. This interview offers a rare moment of insight into the private world of a comedic genius, even if it doesn’t explicitly define “bk fashion.”
A Lasting Legacy
Though this 1927 interview doesn’t provide a detailed look at Buster Keaton’s wardrobe, it offers a valuable glimpse into his personality and the challenges he faced. His enduring popularity and influence on comedy solidify his place as a cultural icon, leaving fans to speculate about the true essence of “bk fashion” and its potential connection to his timeless appeal.
