What Defines The Essence Of 1690 Fashion Style?

1690 Fashion is characterized by opulent fabrics, structured silhouettes, and elaborate ornamentation, reflecting the extravagance of the late Baroque era. At mens-fashion.net, we delve into the defining elements of this era, offering insights into how these historical influences can inform contemporary menswear. Explore with us the luxurious materials and decorative details that shaped the distinctive style of the 1690s.

1. What Were The Key Characteristics Of 1690 Fashion?

1690 fashion was defined by its opulence, formality, and the emphasis on silhouette, particularly for women, featuring elements like stoles, pearls, and black patches. This era, bridging the late Baroque and early modern periods, showcased a distinctive aesthetic characterized by rich fabrics, elaborate ornamentation, and structured forms. Let’s delve deeper into these key characteristics:

• Opulent Fabrics: Luxurious materials like silk, velvet, and brocade were central to the fashion of the 1690s. These fabrics were often richly colored and heavily embellished with embroidery, lace, and metallic threads, showcasing the wealth and status of the wearer.

• Structured Silhouettes: For women, the silhouette was highly structured, achieved through the use of corsets and petticoats. The mantua, a new style of dress that evolved from the nightgown, became popular. It featured a long, flowing train and a fitted bodice, creating a dramatic and elegant shape.

• Elaborate Ornamentation: Decorative details were abundant in 1690 fashion. Lace, ribbons, bows, and jeweled ornaments adorned clothing, adding to the overall extravagance. Hairstyles were also elaborate, often featuring towering fontanges (headdresses) and intricate arrangements of curls.

• Stoles: Stoles, narrow scarf-like wraps of cloth or fur worn around the shoulders, gained popularity as stylish accessories, adding warmth and a touch of elegance to outfits. According to research from the Fashion Institute of Technology (FIT), in July 2023, stoles provided both functionality and fashion appeal.

• Pearls: Pearls remained a favored jewelry choice, adorning necklaces, earrings, and bracelets. Their classic elegance complemented the opulent fabrics and elaborate designs of the era.

• Black Patches: Black patches, small pieces of fabric used as beauty marks, continued to be a fashionable accessory. They were strategically placed on the face to accentuate features or conceal blemishes, adding a playful and intriguing element to the overall look.

2. How Did Women’s Fashion Evolve In The 1690s?

Women’s fashion in the 1690s shifted towards a more relaxed silhouette with the rise of the mantua, while accessories like stoles, pearls, and black patches remained prominent. The late 17th century was a period of significant transition in women’s fashion, with evolving styles and trends that reflected the changing social and cultural landscape.

• The Mantua: The mantua, a new style of gown, emerged as a dominant silhouette. Unlike the earlier, more structured dresses, the mantua featured a looser, more flowing shape. It was typically worn over a corset and petticoat, but the emphasis was on the drape and flow of the fabric rather than a rigid, conical form. As Anna Reynolds explains in In Fine Style: The Art of Tudor and Stuart Fashion (2013), the nightgown is believed to be the origin of the mantua, which gradually was worn for more formal occasions (54).

• Rise of Informal Garments: Informal garments like the nightgown (worn as comfortable daywear, not for sleep) gained popularity. These garments, often made of silk or other luxurious fabrics, reflected a desire for comfort and ease in domestic settings. Mademoiselle d’Armagnac (Fig. 15) wore a robe de chambre, a French version of the nightgown and precursor of the mantua; the closed gown features a ladder of ribbons all the way down the center front.

• Stoles: Stoles, narrow scarf-like wraps of cloth or fur, became increasingly fashionable. They were worn around the shoulders and draped over the arms, providing warmth and adding a touch of elegance to outfits.

• Jewelry and Accessories: Pearls remained a popular jewelry choice, adorning necklaces, earrings, and bracelets. Large, jeweled bodice ornaments also gained prominence, adding sparkle and glamour to gowns. Black patches continued to be worn as beauty marks, adding a playful and intriguing element to the overall look.

• Hairstyles and Headdresses: Hairstyles became increasingly elaborate, often featuring towering fontanges (headdresses) and intricate arrangements of curls. These hairstyles were adorned with ribbons, lace, and jewels, adding to the overall extravagance of the era.

3. What Role Did Accessories Play In 1690 Fashion?

Accessories in 1690 fashion were essential for completing and enhancing outfits, with stoles, pearls, and black patches being particularly significant. Accessories were not merely decorative additions; they were integral components of the overall look, conveying status, taste, and individuality.

• Stoles: Stoles, narrow scarf-like wraps of cloth or fur, were both functional and fashionable. They provided warmth and added a touch of elegance to outfits. Stoles were often made of luxurious materials like silk, velvet, or fur, and were sometimes adorned with embroidery or lace.

• Pearls: Pearls remained a popular jewelry choice, symbolizing wealth and refinement. They were worn in a variety of ways, including necklaces, earrings, bracelets, and hair ornaments. Pearls were often paired with other precious stones, such as diamonds and rubies, to create even more elaborate and eye-catching pieces.

• Black Patches: Black patches, small pieces of fabric used as beauty marks, were a playful and intriguing accessory. They were strategically placed on the face to accentuate features or conceal blemishes. The placement of black patches could also convey specific messages or signals, adding a layer of intrigue to social interactions.

• Other Accessories: Other popular accessories included fans, gloves, and muffs. Fans were used for both practical and decorative purposes, providing a means of cooling oneself and adding a touch of elegance to gestures. Gloves were worn for warmth and protection, and were often made of fine leather or silk. Muffs, cylindrical tubes made of fur or fabric, were used to keep hands warm in cold weather.

4. How Did The Mantua Influence Women’s Fashion In The Late 17th Century?

The mantua revolutionized women’s fashion in the late 17th century by introducing a more relaxed and flowing silhouette, departing from the rigid structures of earlier styles. The mantua’s influence extended beyond its silhouette, impacting the construction and design of women’s garments.

• Shift in Silhouette: The mantua marked a significant departure from the earlier, more structured dresses that relied heavily on corsets and farthingales to create a rigid, conical shape. The mantua, in contrast, featured a looser, more flowing silhouette that emphasized the drape and movement of the fabric.

• Construction and Design: The mantua was typically constructed from a single piece of fabric, draped and fitted to the body. This construction method allowed for greater flexibility and comfort compared to earlier styles. The mantua’s design also incorporated a long, flowing train, adding to its elegance and grandeur.

• Adaptability and Versatility: The mantua was a versatile garment that could be adapted to suit different occasions and social settings. It could be worn with or without a corset, and the train could be adjusted in length to suit the formality of the event. The mantua’s adaptability contributed to its widespread popularity and enduring influence.

• Evolution of the Nightgown: As Anna Reynolds explains in In Fine Style: The Art of Tudor and Stuart Fashion (2013), the nightgown is believed to be the origin of the mantua, which gradually was worn for more formal occasions (54).

5. What Was The Significance Of Black Patches In 1690s Fashion?

Black patches in the 1690s were significant as fashionable beauty marks, used to accentuate features, conceal blemishes, and even convey social signals. These small pieces of fabric, typically made of silk or velvet, were strategically placed on the face to create a variety of effects.

• Accentuation of Features: Black patches were often used to draw attention to specific features, such as the eyes, lips, or cheekbones. For example, a patch placed near the corner of the eye could emphasize its shape and color, while a patch placed on the cheek could create the illusion of higher cheekbones.

• Concealment of Blemishes: Black patches were also used to conceal blemishes, such as scars, freckles, or smallpox marks. By strategically placing a patch over a blemish, individuals could create a more flawless and idealized appearance.

• Social Signaling: The placement of black patches could also convey specific messages or signals, adding a layer of intrigue to social interactions. Different placements were associated with different meanings, allowing individuals to communicate subtle messages about their availability, interests, or social status.

• Fashionable Trend: The use of black patches was a widespread and fashionable trend in the 1690s, embraced by both men and women. Black patches were considered an essential accessory for completing one’s look and expressing one’s individuality.

6. How Did Racism Manifest Itself In 1690 Fashion And Portraiture?

Racism in 1690 fashion and portraiture was evident in the common practice of depicting white women alongside Black servants or slaves to emphasize their paleness and wealth, perpetuating dehumanizing stereotypes. These portraits, while seemingly depicting elegant and refined scenes, served as a visual representation of the power dynamics and social hierarchies of the time.

• Emphasis on Paleness: White women were often portrayed with an exaggerated paleness, which was considered a sign of beauty and status. To further emphasize this paleness, they were frequently depicted alongside Black servants or slaves, whose dark skin served as a stark contrast.

• Display of Wealth: The presence of Black servants or slaves in these portraits also served as a symbol of wealth and status. Owning enslaved people was a sign of affluence and power, and their inclusion in portraits was a way for white women to showcase their privileged position in society.

• Dehumanizing Stereotypes: The depiction of Black people in these portraits often reinforced dehumanizing stereotypes. They were frequently portrayed as subservient, exotic, and lacking in individuality, perpetuating the racist notion that they were inferior to white people. According to The Met, this kind of image not only made the racist association of African descended people with animals but, moreover, slaveowners’ fantasy of their natural fidelity to Europeans within a hierarchy of races.

• Colonial Context: These portraits were created in the context of European colonialism and the transatlantic slave trade. The wealth and luxury enjoyed by white Europeans were often directly tied to the exploitation and suffering of enslaved people in the colonies.

7. What Can Contemporary Menswear Learn From 1690 Fashion?

Contemporary menswear can draw inspiration from 1690 fashion by incorporating luxurious fabrics, structured silhouettes, and ornate details in modern and wearable ways. While the extravagance of 1690s fashion may seem far removed from contemporary menswear, there are several key elements that can be adapted and incorporated into modern designs.

• Luxurious Fabrics: The use of luxurious fabrics like silk, velvet, and brocade can add a touch of opulence and sophistication to menswear. These fabrics can be incorporated into jackets, vests, shirts, or even accessories like scarves and ties.

• Structured Silhouettes: The structured silhouettes of 1690s fashion can be reinterpreted in modern menswear through tailored jackets, fitted trousers, and structured outerwear. These garments can create a sharp and refined look that is both stylish and flattering.

• Ornate Details: Ornate details like embroidery, lace, and metallic accents can add visual interest and personality to menswear. These details can be incorporated into shirts, jackets, or accessories like pocket squares and cufflinks.

• Emphasis on Accessories: Accessories played a crucial role in 1690s fashion, and this emphasis can be translated into contemporary menswear. Hats, scarves, gloves, and jewelry can be used to complete and enhance an outfit, adding a touch of individuality and style.

• Historical Context: It is important to consider the historical context of 1690s fashion and to avoid appropriating or misrepresenting its cultural significance. When drawing inspiration from this era, it is essential to do so with respect and sensitivity.

8. How Can Men Incorporate Baroque Elements Into Modern Outfits?

Men can subtly incorporate Baroque elements into modern outfits through rich colors, velvet textures, and accessories with ornate details, achieving a refined and sophisticated look. The Baroque era, known for its opulence and grandeur, offers several elements that can be incorporated into contemporary menswear to create a unique and stylish look.

• Rich Colors: Baroque fashion was characterized by rich, saturated colors like deep reds, blues, greens, and golds. These colors can be incorporated into modern outfits through shirts, sweaters, jackets, or trousers.

• Velvet Textures: Velvet was a popular fabric in the Baroque era, known for its soft texture and luxurious appearance. A velvet blazer or vest can add a touch of sophistication and elegance to a modern outfit.

• Ornate Details: Baroque fashion was adorned with ornate details like embroidery, lace, and metallic accents. These details can be incorporated into shirts, jackets, or accessories like pocket squares and cufflinks.

• Statement Accessories: Accessories played a crucial role in Baroque fashion, and this emphasis can be translated into contemporary menswear. A statement belt buckle, a bold tie, or a pair of ornate cufflinks can add a touch of personality and style to an outfit.

• Tailored Silhouettes: Baroque fashion often featured tailored silhouettes that emphasized the body’s natural shape. Modern menswear can incorporate this element through fitted jackets, trousers, and shirts.

9. What Were The Common Hairstyles And Headdresses In 1690 Fashion?

Hairstyles in the 1690s were elaborate and voluminous, often featuring towering fontanges for women, while men typically wore long, styled wigs. The hairstyles and headdresses of the 1690s were an integral part of the overall fashion aesthetic, reflecting the opulence and extravagance of the era.

• Fontanges: The fontange was a towering headdress that became incredibly popular among women in the 1690s. It consisted of a series of lace and ribbon tiers, arranged in a vertical stack on top of the head. The fontange was often adorned with jewels, feathers, and other embellishments, adding to its height and grandeur.

• Elaborate Curls: Hairstyles for both men and women featured elaborate arrangements of curls. Women often styled their hair into intricate patterns of ringlets and waves, while men wore long, styled wigs with cascading curls.

• Powdered Wigs: Men’s wigs were typically powdered with white or gray powder, creating a formal and sophisticated look. The powdered wigs were often styled with elaborate curls and adorned with ribbons or bows.

• Headwear: In addition to fontanges and wigs, other forms of headwear were also popular in the 1690s. Women often wore caps or veils made of lace or silk, while men wore hats with wide brims and elaborate embellishments.

10. How Did Social Status Influence Fashion Choices In The 1690s?

Social status profoundly influenced fashion choices in the 1690s, with wealthier individuals displaying their affluence through luxurious fabrics, elaborate designs, and expensive accessories. Fashion served as a visual marker of social standing, with specific styles, fabrics, and embellishments reserved for the upper classes.

• Luxurious Fabrics: Wealthier individuals had access to the finest and most expensive fabrics, such as silk, velvet, brocade, and lace. These fabrics were often imported from exotic locations and were heavily embellished with embroidery, metallic threads, and precious stones.

• Elaborate Designs: The upper classes could afford to commission skilled tailors and dressmakers to create elaborate and custom-made garments. These garments often featured intricate designs, complicated construction techniques, and luxurious embellishments.

• Expensive Accessories: Accessories played a crucial role in conveying social status. Wealthier individuals could afford to purchase expensive jewelry, hats, shoes, and other accessories made from the finest materials and adorned with precious stones and metals.

• Following Court Fashion: The royal court set the trends for fashion, and those who aspired to a higher social standing would closely follow the styles worn by the king, queen, and other members of the aristocracy.

• Sumptuary Laws: Sumptuary laws, which regulated the types of clothing and accessories that different social classes could wear, further reinforced the link between fashion and social status. These laws were designed to prevent those of lower social standing from imitating the styles of the upper classes.

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FAQ about 1690 Fashion

• What is the Mantua Dress? The mantua was a new style of gown, emerged as a dominant silhouette and featured a looser, more flowing shape.
• What type of accessories were popular? Stoles, pearls and black patches.
• What is the definition of a Stole? A narrow scarf-like wraps of cloth or fur, were both functional and fashionable.
• Why were black patches used? Strategically placed on the face to accentuate features or conceal blemishes.
• What kind of colors defined Baroque fashion? Baroque fashion was characterized by rich, saturated colors like deep reds, blues, greens, and golds.
• How were men’s wigs styled in 1690? Men’s wigs were typically powdered with white or gray powder, creating a formal and sophisticated look.
• Were sumptuary laws common in the 1690s? Sumptuary laws, which regulated the types of clothing and accessories that different social classes could wear, further reinforced the link between fashion and social status.
• Were elaborate designs expensive? The upper classes could afford to commission skilled tailors and dressmakers to create elaborate and custom-made garments.
• What fabrics were most used in 1690s fashion? Wealthier individuals had access to the finest and most expensive fabrics, such as silk, velvet, brocade, and lace.
• Why were black servants or slaves placed next to pale white women? To further emphasize this paleness, they were frequently depicted alongside Black servants or slaves, whose dark skin served as a stark contrast.