An enduring icon of the 1950s and 1960s, Audrey Hepburn’s style epitomized the evolution of women’s fashion throughout the decade. From the elegant sophistication of the early 1960s to the mod styles of the mid-decade, Hepburn’s wardrobe reflected the changing trends. Her influence, solidified in films like Roman Holiday, Sabrina, and Funny Face in the 1950s, continued to resonate powerfully throughout the following decade.
In 1961, Hepburn starred as Holly Golightly in the iconic film Breakfast at Tiffany’s. This role cemented her status as a fashion icon, thanks in large part to the costumes designed by Hubert de Givenchy. The simple yet stylish black dress from the opening scene became an instant classic, copied by women worldwide. Givenchy and Hepburn’s ongoing collaboration, both on and off-screen, resulted in a timeless wardrobe that transcended fleeting trends.
The early 1960s saw Hepburn embracing feminine skirt suits reminiscent of Jackie Kennedy’s style. Like the First Lady, Hepburn accessorized with gloves and hats, perfectly exemplified by the green Givenchy suit she wore in the 1962 film Paris When It Sizzles. The sophisticated ensembles she donned in 1963’s Charade further showcased this elegant aesthetic, solidifying her as a trendsetter in 1960s fashion for women.
Hepburn’s style evolved with the decade, embracing the “Mod” movement of the mid-1960s. Bright colors and minidresses became prominent features of her wardrobe. In the 1966 film How to Steal a Million, she sported white-rimmed sunglasses, reflecting the Space Age trend, and a chic bob hairstyle accentuated by dark eyeliner, embodying the popular doe-eyed look of the era.
By the late 1960s, fashion began shifting towards Eastern influences and longer hemlines. However, Hepburn, ever the individual, chose a pink minidress for her 1969 wedding to Andrea Dotti. Her choice reflected a segment of society, including designers like Givenchy, who hadn’t yet embraced the newer styles.
