John Singer Sargent’s portraits capture not just likeness but also the elegance and social standing of his subjects through their attire. Sargent, a master of his craft, often orchestrated the wardrobe choices of his sitters, manipulating fabrics and details to enhance their personalities and narratives within the painting. This deliberate approach to clothing was fundamental to his artistic process.
The exhibition “Fashioned By Sargent,” in collaboration with Tate Britain, delves into the intricate relationship between the artist, his affluent clientele, and the fashion of the era. By examining Sargent’s artistic liberties with sartorial choices, the exhibition reveals how he crafted distinctive portrayals of personality, social status, profession, gender identity, and nationality. Approximately 50 of Sargent’s paintings are displayed alongside a collection of period garments and accessories, illuminating the interplay between fashion and the artist’s creative practice.
Sargent famously declared, “The coat is the picture,” emphasizing the significance of clothing in his work. Iconic portraits like Madame X, Lady Agnew, and Dr. Pozzi at Home exemplify this principle. The exhibition also showcases instances where paintings are paired with the actual garments worn by the sitters. Notable examples include Ellen Terry as Lady Macbeth with her elaborately adorned costume and Mrs. Charles Inches (Louise Pomeroy) in her striking red velvet evening gown. “Fashioned by Sargent” offers visitors a glimpse into the artist’s studio, exploring the concept of curating and controlling one’s image through dress. Visitors can witness how Sargent transformed fashion into a powerful tool for storytelling and social commentary.
